a-z.phpArchive for: Design
Images16
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Press release
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Céline Condorelli: Revision, Part II, 2010, wood, MDF, nylon, paint, dimensions variable. An adjustable setting for ARTSCHOOL/UK to take place in. A revision of elevation furniture, originally made to be stepped on to reach elevated knowledge / books in libraries. Revision, Part II can be flat-packed for easy transport to its future incarnations.
Read on... -
Céline Condorelli: Revision, Part II, 2010, wood, MDF, nylon, paint, dimensions variable. An adjustable setting for ARTSCHOOL/UK to take place in. A revision of elevation furniture, originally made to be stepped on to reach elevated knowledge / books in libraries. Revision, Part II can be flat-packed for easy transport to its future incarnations.
Read on... -
Céline Condorelli: Revision, Part II, 2010, wood, MDF, nylon, paint, dimensions variable. An adjustable setting for ARTSCHOOL/UK to take place in. A revision of elevation furniture, originally made to be stepped on to reach elevated knowledge / books in libraries. Revision, Part II can be flat-packed for easy transport to its future incarnations.
Read on... -
Céline Condorelli: Revision, Part II, 2010, wood, MDF, nylon, paint, dimensions variable. An adjustable setting for ARTSCHOOL/UK to take place in. A revision of elevation furniture, originally made to be stepped on to reach elevated knowledge / books in libraries. Revision, Part II can be flat-packed for easy transport to its future incarnations.
Read on... -
Céline Condorelli: Revision Part II, 2010 (Supported by Cell Project Space: Stewart Gough, Milika Muritu, Andrew Mason, Richard Priestley, Rebecca Jagoe, Shula Subramanium, Grace Wills, Ana Ballesteros, Jo Hewitt, Verena Schwarz, Laura Bottin)
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Céline Condorelli: Revision Part II, 2010 (Supported by Cell Project Space)
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Céline Condorelli: Revision Part II, 2010 (Supported by Cell Project Space)
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Céline Condorelli: Revision Part II, 2010 (Supported by Cell Project Space)
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Céline Condorelli: Revision Part II, 2010 (Supported by Cell Project Space)
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Oliver Klimpel, Event Poster, 2010
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Ruth Höflich
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Ruth Höflich
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Oliver Klimpel, Poster, 2010
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Texts6
- 2013 New Publications - PROSPECTUS Contributors: Neil Cummings, Matthew Stadler, AA Bronson, Hans Ulrich Obrist and Richard Wentworth, Michael Craig-Martin, Fritz Haeg, Ruth Höflich, Oliver Klimpel, Paulo Freire & Antonio Faundez (book extracts), Roy Ascott, John Reardon, Alice and Rita Evans, Ivan Illich (book extracts), and Adam Knight Editor(s): John Reardon and Sissu Tarka Read on...
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Caroline McCarthy’s Vita:
Crisps, toilet-paper, plastic bags, supermarket packaging, rubbish and furniture are some of the raw materials used by Caroline McCarthy in considering notions of value and taste inherent in the surface of everyday objects, images and modes of display. Positioned in response to a culture of mass production, where every kind of experience, fantasy or sense [...] Read on... -
FREE DEParTment’s Vita:
FREE DEParTment is a loose association of artists, writers, designers and researchers without a fixed location. FREE DEParTment is a self-organised, semi-fictional institution that operates within larger art/culture projects, but avoids complete integration and maintains its capacity for free acting-thinking. In spring 2010 FREE DEParTment approached artist Sissu Tarka to participate in and report from [...] Read on... -
Céline Condorelli’s Vita:
Celine Condorelli works with art and architecture, combining a number of approaches from developing structures for ‘supporting’ (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging exhibitions, politics, fiction, display, public space, sound, writing, and whatever else feels [...] Read on... -
Cedric Price:
“What I’m talking about is the capacity for activities to change as a result of thoughts changing. And the resulting architecture can last as long as these thoughts are current.” Read on... -
Johannes Maier’s Vita:
Johannes Maier’s work documents events in which he collaborates with people and institutions such as interpreters at the European Commission and a newsroom picture editor at the BBC. The focus of Maier’s work, intentionally positioned at the boundaries of art, documentary and media, is a critical engagement with televisual forms. His work has been shown [...] Read on...
