Dr. Paul O’Neill is an independent curator, artist and writer based in Bristol. Until recently, he was the Great Western Research Alliance (GWR) Research Fellow in Commissioning Contemporary Art with Situations at the University of the West of England, Bristol. Paul has curated or co-curated more than fifty exhibition projects including: We are Grammar, Pratt Manhattan Gallery, New York (2011); Coalesce: happenstance, SMART, Amsterdam (2009); D.B, Four Gallery, Dublin (2008); Tape Runs Out, Text and Work Gallery, Bournemouth (2007); Intermittent, Gallery for One, Dublin (2007); Making Do, The Lab, Dublin (2007); Our Day Will Come, Zoo Art Fair, London (2006); General Idea: Selected Retrospective, Project, Dublin (2006); Mingle-Mangled, as part of Cork Caucus, Cork (2005); La La Land, Project, Dublin (2005); Coalesce: The Remix, Redux, London (2005); Tonight, Studio Voltaire, London, (2004); Coalesce: With All Due Intent at Model and Niland Art Gallery, Sligo (2004); Are We There Yet? Glassbox, Paris (2000) and Passports, Zaçheta Gallery of Contemporary Art, Warsaw (1998). He is an associated visiting lecturer on the de Appel Curatorial Programme and on the MFA Curating, Goldsmiths, London. His writing has been published in many books, catalogues, journals and magazines and he is a regular contributor to Art Monthly. He is reviews editor for Art and the Public Sphere Journal and on the editorial board of The Exhibitionist and The Journal of Curatorial Studies. He is editor of the curatorial anthology, Curating Subjects (2007), and co-editor of Curating and the Educational Turn with Mick Wilson (2010), both published by de Appel and Open Editions (Amsterdam and London), and Locating the Producers: Durational Approaches to Public Art (Amsterdam, Vaiz, 2011) edited with Claire Doherty. He is currently working on an authored book with MIT Press, entitled The Culture of Curating, Curating Culture(s), (2012) and he is opening a school within a school in Tasmania in 2011.